No te aha oe riri (Why Are You Angry?)

1. Mme. Ernest Chausson, Paris by 1904 [see Brussels 1904 and Wildenstein 1964]. Durand-Ruel Galleries, New York by 1923 [see New York 1923]; sold to Martin A. Ryerson (died 1932), Chicago on February 20, 1925 [see purchase receipt dated February 20, 1925, copy in curatorial file]; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

• Brussels, Musée de Bruxelles, La Libre esthétique. Exposition des peintres impressionnistes, February 25–March 29, 1904, cat. 55.
• New York, Durand-Ruel Gallery, Gauguin, February, 1923, no cat. [confirmed by Charles Durand-Ruel’s letter of February 27, 1979, copy in curatorial file; see also New York Times 1923].
• Cambridge, Mass., Fogg Art Museum, Harvard University, Exhibition of French Painting of the Nineteenth and Twentieth Centuries, March 6–April 6, 1929, cat. 43 (ill.).
• The Art Institute of Chicago, Catalogue of a Century of Progress. Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 359.
• The Art Institute of Chicago, Catalogue of a Century of Progress. Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 304.
• New York, Wildenstein and Co. Inc., Paul Gauguin 1848–1903: A Retrospective Loan Exhibition For the Benefit of Les Amis de Paul Gauguin and the Penn Normal Industrial and Agricultural School, March 20–April 18, 1936, cat. 33 (ill.).
• Cambridge, Mass., Fogg Art Museum, Harvard University, Paul Gauguin 1848–1903, May 1–21, 1936, cat. 32 (ill.).
• Baltimore Museum of Art, Paul Gauguin 1848–1903: A Retrospective Exhibition of His Paintings, May 24–June 5, 1936, cat. 21 (ill.).
• The Toledo Museum of Art, Cézanne-Gauguin, November 1-December 13, 1936, cat. 3 (ill.).
• Bloomfield Hills, Mich., Cranbrook Association of Art, Exhibition, January 15-March 1, 1945, no cat.
• Minneapolis Institute of Arts, Exhibition, April 1-May 15, 1950, no cat.
• Omaha, Joslyn Memorial Art Museum, Twentieth Anniversary Exhibition: The Beginnings of Modern Paintings, France, 1800-1910, October 4-November 4, 1951, no cat. no.

• “The World of Art,” The New York Times (March 11, 1923), Section IV, p. 12, col. 3.
• Hardinge Scholle, “Modern French Ceramics,” The Arts, 3, 3 (March 1923), p. 118ff (ill.).
• Robert Rey, Gauguin (Paris, 1923), pl. 26.
• John W. Beatty, The Modern Art Movement (Pittsburgh, 1924), pp. 10–11, 9 (ill).
• Gustave Kahn, “Paul Gauguin,” L’Art et les artistes 12, 6 (October 1925), p. 59 (ill.).
• Madeleine Octave Maus, Trente années de lutte pour l’art, 1884–1914 (Brussels, 1926), p. 319.
• R. M. Fishkin, “A Late Gauguin,” The Bulletin of The Art Institute of Chicago 21, 6 (September 1927), p. 75.
• R. M. Fishkin, “Gauguin Given to Art Institute,” The Art News 25, 40 (September 17, 1927), p. 7.
• Albert Franz Cochrane, “Fogg Museum Stages Magnificent Exhibition of French Art,” Boston Evening Transcript (March 9, 1929).
• Arséne Alexandre, Paul Gauguin; Sa vie et le sens de son oeuvre (Paris, 1930), pp. 245, 273 (ill.).
• The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 72.
• Daniel Catton Rich, “L’Exposition d’Art français à l’art Institute de Chicago,” Formes (1933), p. 383.

Mahana no atua (Day of the God)

Art Institute of Chicago

Arlésiennes (Mistral)

Art Institute of Chicago

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)

Art Institute of Chicago

Polynesian Woman with Children

Art Institute of Chicago

Te raau rahi (The Big Tree)

Art Institute of Chicago

Woman in Front of a Still Life by Cezanne

Art Institute of Chicago

Te burao (The Hibiscus Tree)

Art Institute of Chicago

Still Life: Wood Tankard and Metal Pitcher

Art Institute of Chicago

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