Te burao (The Hibiscus Tree) by Paul Gauguin
Art Institute of ChicagoPublic domain

Te burao (The Hibiscus Tree)

Paul Gauguin · 1892

Provenance

Ownership history

  1. Marius de Zayas, New York; sold his sale, The Anderson Galleries, New York, March 23–24, 1923, lot 83 for $3,000 to the Art Institute [price according to an annotated copy of the sale catalogue in the Ryerson Library, Art Institute]; purchased by the Art Institute with funds provided by Joseph Winterbotham for the Joseph Winterbotham Collection, 1923.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • New York, Metropolitan Museum of Art, Loan Exhibition of Impressionist and Post-Impressionist Paintings, May 3–September 15, 1921, cat. 50.
  • Minneapolis Institute of Arts, An Exhibition of Modern French Paintings, November 1921, cat. 9.
  • Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 356.
  • San Francisco, The California Palace of the Legion of Honor, Exhibition of French Painting from the Fifteenth Century to the Present Day, June 8–July 8, 1934, cat. 103.
  • Des Moines Art Center, 19th and 20th Century European and American Art, June–July 1948, cat. 39.
  • Lowe Art Gallery, The University of Miami, 19th and 20th Century French Painting, March 15–April 9, 1952, cat. 13; travelled to Athens, The University of Georgia, April 14–May 19, 1952.
  • Art Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, February 12–March 29, 1959, cat. 43; New York, Metropolitan Museum of Art, April 21–May 31, 1959.
  • Richmond, The Virginia Museum of Fine Arts, The Anniversary Loan Exhibition: Treasures in America, January 13–March 5, 1961, no cat. no.
  • Art Institute of Chicago, The Artist Looks at the Landscape, June 22–August 25, 1974, no cat.
  • New York, Metropolitan Museum of Art, Van Gogh in Arles, October 3–December 30, 1984, no cat. no.
  • Tokyo, Seibu Museum of Art, Shikago Bijutsukan Insho-ha ten (The Impressionist Tradition: Masterpieces from The Art Institute of Chicago), October 18–December 17, 1985, cat. 55; traveled to Fukuoka, Fukuoka Art Museum, January 5–February 2, 1986; Kyoto, Kyoto Municipal Museum of Art, March 4–April 13, 1986.
  • Leningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzskoĭ zhivopici XIX-nachala XX veka, iz Muieia Metropoliten v Niu-Ĭorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Great Paintings From the XIX century to the Beginning of the XXth century From Metropolitan Museum of Art in New York and the Art Institute of Chicago], March 15-May 19, 1988, cat. 45; Moscow, Pushkin Museum, June 10-July 30, 1988.

Literature

Published references

  • “An Exhibition of Modern French Paintings,” Bulletin of the Minneapolis Institute of Arts 10, 8 (November 1921), p. 59 (ill.).
  • “El Greco Painting, $9,000: ‘St. John the Baptist’ leads Auction of the de Zayas Collection,” New York Times (March 24, 1923), p. 13.
  • “Home and Foreign Art Notes,” New York Times (April 29, 1923), p. X10.
  • Eleanor Jewett, “Architectural Exhibit Opening at the Institute,” Chicago Daily Tribune (April 29, 1923), p. D6.
  • J. MacD., “Gauguin’s ‘Te Burao’,” Bulletin of the Art Institute of Chicago 17, 5 (May 1923), pp. 51–52.
  • Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), pp. 71 (ill.), 137, no. 624.
  • R. M. Fischkin, “A Late Gauguin,” Bulletin of the Art Institute of Chicago 21, 6 (1927), pp. 74–75.
  • R. M. Fischkin, “Gauguin Given to Art Institute,” Art News 25, 40 (1927), p. 7.
  • Reginald H. Wilenski, French Painting (Boston: Hale, Cushman & Flint, Inc., 1931), p. 289; reprinted (Boston, Hale, Cushman & Flint, Inc., 1936); (New York: Dover Publications, 1973).
  • Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), pp. 72 (ill.), 154.
  • “Chicago Show to Present French Modern Masters,” Art News 31, 34 (May 1933), p. 4.
  • Paul Gauguin, Lettres de Gauguin à Daniel de Monfreid (Paris: George Falaize, 1950), p. 211.

Comparables

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