Polynesian Woman with Children

1. Ambroise Vollard [according to Meyer-Riefstahl 1910-1911, it was lent by him to Dresden 1910 and Munich 1910]. Moderne Galerie Heinrich Thannhauser, Munich, by 1927 [included in Berlin 1927]; purchased by Frederic C. Bartlett, Chicago, February 1927 from Berlin 1927 [according to a letter from Frederic C. Bartlett to Heinrich Thannhauser dated May 21, 1927, Art Institute archives, copy in curatorial file]; given to the Art Institute, 1927.

Recorded by Art Institute of Chicago.

• Munich, Moderne Galerie Heinrich Thannhauser, Paul Gauguin, 1910, no cat.; travelled to Dresden, Arnold Kunst Salon, 1910.
• Berlin, Galerien Thannhauser, Erste Sonderausstellung in Berlin, January 9–mid-February, 1927, no. 103.
• New York, The Museum of Modern Art, First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh, November 8–December 7, 1929, no. 49.
• Buffalo, New York, Albright Art Gallery, Nineteenth Century French Art, November 1–13, 1932, no. 26.
• The Art Gallery of Toronto, Modern French Painting from Manet to Matisse, January 1933, no. 18.
• Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1933, no. 362.
• Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1–November 1, 1934, no. 306.
• Art Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, February 12–March 29, 1959, no. 66; traveled to New York, The Metropolitan Museum of Art, April 21–May 31, 1959.
• Washington D.C., National Gallery of Art, The Art of Paul Gauguin, May 1–July 31, 1988; traveled to Art Institute of Chicago, September 17–December 11, 1988; Paris, Grand Palais, January 10–April 20, 1989 (Chicago only, supplement no. 9).
• Fort Worth, Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, no. 73.
• Kunsthaus Zurich, German Expressionism and France: From Van Gogh and Gauguin to the Blue Rider <other title:Expressionism in Germany and France: From Van Gogh to Kandinsky>, February 7-May 11, 2014; Los Angeles County Museum of Art, June 8-September 14, 2014; Montreal Museum of Fine Arts, October 6, 2014-January 25, 2015 [Los Angeles and Montreal only].
• Basel, Foundation Beyler, Paul Gauguin, February 8–June 28, 2015, pp. 154–155.

• Rudolf Meyer-Riefstahl, “Paul Gauguin,” Deutsche Kunst und Dekoration 27 (1910–1911), p. 115 (ill.).
• Art Institute of Chicago, The Art Institute of Chicago Forty-Ninth Annual Report (Chicago: Art Institute of Chicago, 1927), p. 20, (ill.).
• R. M. Fishkin, “A Late Gauguin,” Bulletin of the Art Institute of Chicago 21, 6 (1927), pp. 74–75 (ill.).
• R. M. Fishkin, “Gauguin Given to Art Institute,” Art News 25, 40 (1927), p. 7.
• Morton Dauwen Zabel, “An American Gallery of Modern Painting,” Art and Archaeology 26, 6 (1928), p. 233.
• Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection, 2nd ed. (Chicago: Art Institute of Chicago, 1929), pp. 14–15 (ill.), 58; revised edition (Chicago: Art Institute of Chicago, 1946).
• R. H. Wilenski, French Painting, 2nd ed. (Boston: Hale, Cushman & Flint, Inc., 1931), p. 289; revised editions (Boston: Hale, Cushman & Inc., 1936); (New York: Dover Publications, Inc., 1973).
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 154.
• “Museum News: Acquisitions and Activities of the Art Centers,” Parnassus 4, 7 (1932), p. 14 (ill.).
• “Chicago Show to Present French Modern Classics,” Art News 31, 34 (1933), p. 4.
• “The Rearrangement of the Painting Galleries,” Bulletin of the Art Institute of Chicago 27, 7 (1933), p. 116.
• Wiebe A. White, Paintings by Paul Gauguin Owned in the United States of America and The Hawaiian Islands (unpub. ms., Ryerson Library, 1936), p. 60.

Mahana no atua (Day of the God)

Art Institute of Chicago

Arlésiennes (Mistral)

Art Institute of Chicago

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)

Art Institute of Chicago

No te aha oe riri (Why Are You Angry?)

Art Institute of Chicago

Te raau rahi (The Big Tree)

Art Institute of Chicago

Woman in Front of a Still Life by Cezanne

Art Institute of Chicago

Te burao (The Hibiscus Tree)

Art Institute of Chicago

Still Life: Wood Tankard and Metal Pitcher

Art Institute of Chicago

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