Landscape

1. The artist; sold through Walter Pach, New York, to Arthur Jerome Eddy (1859-1920), Chicago, Apr. 10, 1913 [letter to the artist, May 2, 1913, Walter Kuhn papers, Archives of American Art, Smithsonian Institution, copy in curatorial object file; McCarthy 1996; Washington 1999]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.

Recorded by Art Institute of Chicago.

• New York, International Exhibition of Modern Art, Feb. 17–Mar. 15, 1913, cat. 468, as Paysage; Art Institute of Chicago, Mar. 24–Apr. 16, 1913, cat. 387.
• Art Institute of Chicago, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, Sept.19–Oct. 22, 1922, cat. 16 (as Marine).
• Art Institute of Chicago, Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, Dec. 22, 1931–Jan. 17, 1932, cat. 16 (as Marine: Pont L’Abbé).
• Utica, Munson-Williams-Proctor Institute, 1913 Armory Show—50th Anniversary Exhibition 1963, Feb. 17–Mar. 31, 1963, cat. 468 (as Paysage), 1912; New York, Armory of the 69th Regiment, Apr. 6–28, 1963.
• Roslyn, N. Y., Nassau County Museum of Fine Art, The Shock of Modernism: Modernism in America, Apr. 29–July 29, 1984, cat. 143 (as Marine: Pont L’Abbé).
• Lisbon, Fundação Calouste Gulbenkian, 1887–1987, Centenário do Nascimento de Amedoe de Souza Cardoso, July 20–Oct. 1987 (as Marine Pont L’Abbé).
• Brussels, Museum of Modern Art, Amadeo de Souza Cardoso, 1887-1918, Sept. 27–Dec. 8, 1991, cat. 23; Porto, Fundação de Serralves, Mar. 5–Apr. 19, 1992.
• Washington D. C., Corcoran Gallery of Art, At the Edge: A Portuguese Futurist, Amadeo de Souza Cardoso, Sept. 11–Nov. 28, 1999, cat. 9 (as Marine pont l’Abbé); Arts Club of Chicago, Jan. 20–Mar. 17, 2000.
• Porto, Museu de Arte Contemporânea de Serralves, Mondrian/Amadeo: da paisagem à abstracção/from landscape to abstraction, June 28–Oct. 14, 2001.
• Barcelona, Fundació Caixa Catalunya, Cinco Pintores da Modernidade Portuguesa, (1911–1965), Feb. 17–May 16, 2004, cat. 2 (as Marine Pont l’Abbé); Museu de Arte Moderna de São Paulo, June 24–Sept. 12, 2004.
• Lisbon, Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, Amadeo de Souza Cardoso: Diálogo de Vanguardas/Avant-Garde Dialogues, Nov. 15, 2006–Jan. 14, 2007, cat. 6.
• Paris, Galeries nationales d'exposition du Grand Palais, Paris, Amadeo de Souza Cardoso, Apr. 20–July 18, 2016.

• International Exhibition of Modern Art, exh. cat. (Association of American Painters and Sculptors, Inc., 1913), n.p., cat. 468 (as Paysage).
• International Exhibition of Modern Art, 2nd ed., exh. cat. (Association of American Painters and Sculptors, Inc., 1913), n.p., cat. 387.
• Arthur Jerome Eddy, Cubists and Post-Impressionists (A. C. McClurg, 1914), p. 85.
• Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, exh. cat. (Art Institute of Chicago, 1922), p. 6, cat. 16 (color ill., as Marine Pont L’Abbé).
• Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, Part II of the Bulletin of the Art Institute of Chicago, XXV, no. 9 (Dec. 1931): p. 24, cat. 16.
• The Art Institute of Chicago: A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), p. 172 (as Marine: Pont L’Abbé).
• C. J. Bulliet, “The Eddy Gift to Chicago,” Creative Art 10 (March 1932), p. 216.
• José-Augusto França, Amadeo de Souza Cardoso (Editorial Sul, 1956), pp. 61; 63, cat. 8; n.p. (ill.).
• Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 421 (as Marine: Pont L’Abbé).
• Milton W. Brown, The Story of the Armory Show (New York Graphic Society, 1963), pp. 100; 292, cat. 468 (as Paysage).
• 1913 Armory Show—50th Anniversary Exhibition 1963, exh. cat. (Munson-Williams-Proctor Institute, 1963), pp. 81; 205, cat. 468; n.p. (color ill.).
• José-Augusto França, Amadeo de Souza-Cardoso (Inquérito, 1972), p. 22, fig. 8 (ill.).

The Leap of the Rabbit

Art Institute of Chicago

The Stronghold

Art Institute of Chicago

Interrelation of Volumes from the Ellipsoid

Art Institute of Chicago

Excavation

Art Institute of Chicago

Sideboard

Art Institute of Chicago

The Crucifixion

Art Institute of Chicago

At the Moulin Rouge

Art Institute of Chicago

Pastoral Landscape with Ruins

Art Institute of Chicago

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