The Leap of the Rabbit

1. The artist; sold through Walter Pach, New York, to Arthur Jerome Eddy (1859-1920), Chicago, Apr. 10, 1913 [letter to the artist, May 2, 1913, Walter Kuhn papers, Archives of American Art, Smithsonian Institution, copy in curatorial object file; McCarthy 1996; Washington 1999]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.

Recorded by Art Institute of Chicago.

• New York, International Exhibition of Modern Art, Feb. 17–Mar. 15, 1913, cat. 467; Art Institute of Chicago, Mar. 24–Apr. 16, 1913 (cat. 386, as Rabbit Jump).
• The Art Institute of Chicago, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, Sept. 19–Oct. 22, 1922, cat. 17.
• The Art Institute of Chicago, Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, Dec. 22, 1931–Jan. 17, 1932, cat. 15.
• The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1933, cat. 793.
• Cincinnati Art Museum, Pictures for Peace: A Retrospective Exhibition Organized from the “The Armory Show” of 1913, Mar. 18–Apr. 16, 1944, cat. 34.
• Utica, New York, Munson-Williams-Proctor Institute, 1913 Armory Show—50th Anniversary Exhibition, Feb. 17–Mar. 31, 1963, cat. 467; New York, Armory of the 69th Regiment, Apr. 6–28, 1963.
• Paris, Centre national d’art et de culture Georges Pompidou, Musée national d’art moderne, Paris—New York, June 1–Sept. 19, 1977.
• Lisbon, Fundação Calouste Gulbenkian, Centenário do Nascimento de Amedeo de Souza Cardoso, 1887–1987, July 20–Oct. 1987.
• Washington, DC, Corcoran Gallery of Art, At the Edge: A Portuguese Futurist, Amadeo de Souza Cardoso, Sept. 11–Nov. 28, 1999, cat. 1; Arts Club of Chicago, Jan. 20–Mar. 17, 2000.
• Paris, Grand Palais, Galeries Nationales, Amadeo de Souza-Cardoso, 1887-1918, Apr. 20–July 18, 2016.

• International Exhibition of Modern Art, exh. cat. (Association of American Painters and Sculptors, 1913), cat. 467 (as Saut du lapin).
• International Exhibition of Modern Art, 2nd ed., exh. cat. (Association of American Painters and Sculptors, 1913), cat. 386.
• Arthur Jerome Eddy, Cubists and Post-Impressionists (Chicago: A. C. McClurg, 1914), pp. 84 (color ill.); 85.
• Art Institute of Chicago, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, exh. cat. (Art Institute of Chicago, 1922), cat. 17.
• Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, Part II of The Bulletin of the Art Institute of Chicago, XXV, no. 9 (Dec. 1931): pp. 22-24, cat. 15.
• A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), p. 172.
• C. J. Bulliet, “The Eddy Gift to Chicago,” Creative Art 10 (March 1932), p. 216.
• Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, exh. cat. (Art Institute of Chicago, 1933), p. 85, cat. 793.
• Cincinnati Art Museum, Pictures for Peace: A Retrospective Exhibition Organized from the “The Armory Show” of 1913, exh. cat. (Cincinnati Art Museum, 1944), cat. 34.
• “A exposição de Amadeo de Souza-Cardoso,” Jornal de Notícias, May 11, 1956.
• José-Augusto França, Amadeo de Souza Cardoso (Editorial Sul, 1956), pp. 61; 63, cat 6; n.p. (ill.).
• Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 421.

Violin and Playing Cards on a Table

The Metropolitan Museum of Art

The Stronghold

Art Institute of Chicago

Landscape

Art Institute of Chicago

Interrelation of Volumes from the Ellipsoid

Art Institute of Chicago

Excavation

Art Institute of Chicago

Sideboard

Art Institute of Chicago

The Crucifixion

Art Institute of Chicago

At the Moulin Rouge

Art Institute of Chicago

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