Rabbit Warren at Pontoise, Snow

1. The artist (d. 1903); given to Julie Pissarro (artist’s wife), Paris, by 1892 [per Galeries Durand-Ruel, Exposition Camille Pissarro, exh. cat. (E. Ménard et Cie, 1892), p. 23, cat. 11]; by descent to her son, Ludovic-Rodolphe (Rodo) Pissarro, Paris, 1904 [this and the seven following per Pissarro and Snollaerts 2005]; sold jointly to Durand-Ruel, Paris, and Bernheim-Jeune, Paris, Aug. 7, 1918; share sold by Durand-Ruel, Paris, to Bernheim-Jeune, Paris, Mar. 12, 1920. Georges Petit Paris, by Mar. 31, 1924; sold to Prat, Mar. 31, 1924. Sam Salz, New York, around 1958. Martin and Sidney Zimet, New York, by Jan. 11, 1963; half share sold to M. Knoedler & Co., New York, Jan. 11, 1963 [per the M. Knoedler & Co., New York, stock book for Feb. 1959–Dec. 1970 (no. 8436, as La Gareane [sic] a Pontoise, Effet de Neige), copy in curatorial object file]; sold to Marshall Field, Chicago, by June 1964 [per Committee on Earlier Painting and Sculpture minutes, June 10, 1964, on file in Museum Registration, Art Institute of Chicago]; given to the Art Institute of Chicago, beginning in June 1964 [in undivided fractional interests, receiving final fractional interest for one hundred percent ownership in 1965].

Recorded by Art Institute of Chicago.

• Paris, Galeries Durand-Ruel, Camille Pissarro, Jan. 23–Feb. 20, 1892, cat. 11, as La Garenne, à Pontoise; effet de neige, Appartenant à Mme P.
• Art Institute of Chicago, The Artist Looks at the Landscape, June 22–Aug. 25, 1974, no cat.
• London, Hayward Gallery, Pissarro: Camille Pissarro 1830–1903, Oct. 30, 1980–Jan. 11, 1981, cat. 51 (ill.); Paris, Galeries Nationales du Grand Palais, Jan. 30–Apr. 27, 1981; Museum of Fine Arts, Boston, May 19–Aug. 9, 1981.
• Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 68 (ill.); Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris, Galeries Nationales d’Exposition du Grand Palais, as L’impressionnisme et le paysage français, Feb. 4–Apr. 22, 1985, cat. 34.
• Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 27 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986.
• London, Hayward Gallery, Landscapes of France: Impressionism and its Rivals, May 18–August 28, 1995, cat. 92 (ill.); Museum of Fine Arts, Boston, [as Impressions of France: Monet, Renoir, Pissarro, and their Rivals] October 4, 1995–January 14, 1996.
• Washington, D.C., Phillips Collection, Impressionists in Winter: Effets de Neige, Sept. 19, 1998–Jan. 3, 1999, cat. 44 (ill.); San Francisco, Fine Arts Museums of San Francisco at the Center for the Arts at Yerba Buena Gardens, Jan. 30–May 2, 1999; Brooklyn Museum of Art, May 27–Aug. 29, 1999.
• Ottawa, National Gallery of Canada, Winter Count: Embracing the Cold, Nov. 21, 2025–Mar. 22, 2026, cat. 35.

• Galeries Durand-Ruel, Exposition Camille Pissarro, exh. cat. (E. Ménard, 1892), p. 23, cat. 11.
• Georges Wulff, “L’exposition de M. Camille Pissarro,” Le National, Feb. 7, 1892, p. 2.
• Charles Saunier, “L’art nouveau. I, Camille Pissarro,” La revue indépendante 23, 66 (Apr. 1892), p. 34.
• Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art—son oeuvre, vol. 1, Texte (P. Rosenberg, 1939), p. 148, cat. 478.
• Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art—son oeuvre, vol. 2, Planche (P. Rosenberg, 1939), pl. 97, cat. 478.
• Lionello Venturi, Les archives de l’impressionnisme: Lettres de Renoir, Monet, Pissarro, Sisley et autres; Mémoires de Paul Durand-Ruel; Documents, vol. 2 (Durand-Ruel, 1939), p. 34.
• John Rewald, Camille Pissarro, Library of Great Painters (Abrams, 1963), p. 58 (ill.).
• Art Institute of Chicago, Annual Report, 1963–64 (Art Institute of Chicago, [1964]), p. 19.
• Anonymous untitled article in “La chronique des Arts,” supplement, Gazette des Beaux-Arts 6, 65 (Feb. 1965), p. 59. (ill.).
• Charles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World 32 (Kodansha, 1970), pp. 47 (ill.), 162.
• Richard Shiff, “Seeing Cézanne,” Critical Inquiry 4, 4 (Summer 1978), p. 803, no. 85.
• Hayward Gallery, Galeries Nationales du Grand Palais, and Museum of Fine Arts, Boston, Pissarro: Camille Pissarro 1830–1903, exh. cat. (Arts Council of Great Britain/Museum of Fine Arts, Boston, 1980), p. 114, cat. 51 (ill.).

Woman Bathing Her Feet in a Brook

Art Institute of Chicago

The Place du Havre, Paris

Art Institute of Chicago

The Crystal Palace

Art Institute of Chicago

Woman and Child at the Well

Art Institute of Chicago

Young Peasant Having Her Coffee

Art Institute of Chicago

The Banks of the Marne in Winter

Art Institute of Chicago

Haymaking at Éragny

Art Institute of Chicago

Snow at Louveciennes

Art Institute of Chicago

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