Young Peasant Having Her Coffee

1. The artist (d. 1903); sold to Durand-Ruel, Paris, December 19, 1881 [this and the two following per Pissarro and Snollaerts 2005]; sold to Georges Petit, Paris, August 9, 1883; sold back to Durand-Ruel, Paris, April 17, 1891, for 1,000 francs; sold to Potter Palmer (d. 1902), Chicago, April 29, 1892, for 3,000 francs [per Durand-Ruel Archives, Paris stock no. 912, as Le Café au lait, as confirmed by Caroline Durand-Ruel Godfroy, Durand-Ruel Archives, to the Art Institute of Chicago, Dec. 13, 1994, curatorial object file]; by descent to the Palmer family; given to the Art Institute of Chicago, 1922.

Recorded by Art Institute of Chicago.

• Paris, 251, rue Saint-Honoré, Salons du Panorama de Reischoffen, 7me exposition des artistes indépendants [Seventh impressionist exhibition], Mar. 1–31, 1882, cat. 111, as Jeune paysanne prenant son café.
• London, Dowdeswell and Dowdeswell, Paintings, Drawings and Pastels by Members of “La Société des impressionnistes,” Apr. 20–July 1883, cat. 5, as Paysanne prenant son Café.
• Paris, Galeries Durand-Ruel, Camille Pissarro, Jan. 23–Feb. 20, 1892, cat 16, as La Café au lait.
• Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 301.
• Los Angeles Museum, The Development of Impressionism, Jan. 12–Feb. 28, 1940, cat. 56 (ill.).
• Fine Arts Gallery of San Diego, Mar. 1940, no cat.
• Omaha, Nebr., Joslyn Art Museum, Mary Cassatt among the Impressionists, Apr. 10–June 1, 1969, cat. 39 (ill.).
• Mobile (Ala.) Art Gallery, The Impressionists: Painting in France in the Late Nineteenth Century, Nov. 5–30, 1969, no cat. no. (ill.).
• Milan, Palazzo Reale, Boccioni e il suo tempo, Dec. 10, 1973¬–Feb. 24, 1974, cat. 1 (ill.).
• Ann Arbor, University of Michigan Museum of Art, The Crisis of Impressionism, 1878–1882, Nov. 2, 1979–Jan. 6, 1980, cat. 41 (ill.).
• Washington, D.C., National Gallery of Art, The New Painting: Impressionism, 1874–1886, Jan. 17–Apr. 6, 1986, cat. 127 (ill.); Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum, Apr. 19–July 6, 1986.
• Leningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzskoĭ zhivopici XIX-nachala XX veka, iz Muieia Metropoliten v Niu-Ĭorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Great Paintings From the XIX century to the Beginning of the XXth century From Metropolitan Museum of Art in New York and the Art Institute of Chicago], March 15-May 19, 1988, cat. 25; Moscow, Pushkin Museum, June 10-July 30, 1988.

• Catalogue de la 7me exposition des artistes indépendants, exh. cat. (Morris Pére et Fils, 1882), cat. 111.
• Arthur Hustin, “L’exposition des peintres indépendants,” L’estafette, Mar. 3, 1882, p. 3.
• Armand Sallanches, “L’exposition des artistes indépendants,” Le journal des arts, Mar. 3, 1882, p. 1.
• Draner [Jules Renard], “Une visite aux impressionnistes,” Le charivari, Mar. 9, 1882, p. 3.
• Arthur Hustin, “L’exposition des impressionnistes,” Moniteur des arts, Mar. 10, 1882, p. 1.
• Émile Hennequin, “Beaux-Arts: Les expositions des arts libéraux et des artistes indépendants,” La revue littéraire et artistique, Mar. 11, 1882, p. 155.
• Armand Silvestre, “Le monde des arts: Expositions particulières: Septième exposition des artistes indépendants,” La vie moderne, Mar. 11, 1882, p. 151.
• Paul de Charry, “Beaux-Arts,” Le pays, Mar. 14, 1882, p. 3.
• “Nouvelles parisiennes,” L’art moderne, Mar. 19, 1882, p. 93.
• Dowdeswell and Dowdeswell/Société des Impressionnistes, Catalogue of Paintings, Drawings, and Pastels by Members of “La société des impressionnistes,” exh. cat. (Dowdeswell and Dowdeswell, 1883), p. 7, cat. 5.
• Possibly J.–K. Huysmans, “Appendice,” in L’art moderne (G. Charpentier, 1883), pp. 261–77.
• Galeries Durand-Ruel, Exposition Camille Pissarro, exh. cat. (E. Ménard et Cie, 1892), p. 23, cat 16.

Woman Bathing Her Feet in a Brook

Art Institute of Chicago

The Place du Havre, Paris

Art Institute of Chicago

The Crystal Palace

Art Institute of Chicago

Woman and Child at the Well

Art Institute of Chicago

Rabbit Warren at Pontoise, Snow

Art Institute of Chicago

The Banks of the Marne in Winter

Art Institute of Chicago

Haymaking at Éragny

Art Institute of Chicago

Snow at Louveciennes

Art Institute of Chicago

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