Snow at Louveciennes

1. Private collection, Paris [per Paul Rosenberg & Company, to the Art Institute of Chicago, Nov. 21, 1973, curatorial object file]. Sarec, S.A., Switzerland, by December 1972 [per Elaine Rosenberg, meeting notes, May 2002, curatorial object file and Sylvie Brame, Brame & Lorenceau, to the Art Institute of Chicago, June 19, 2002, curatorial object file]; sold to Paul Rosenberg & Company, New York, Dec. 1972 [per Elaine Rosenberg, meeting notes, May 2002, curatorial object file and Paul Rosenberg & Company, to the Art Institute of Chicago, Nov. 21, 1973, curatorial object file]; sold to the Art Institute of Chicago, 1973.

Recorded by Art Institute of Chicago.

• Washington, D. C., Phillips Collection, Impressionists in Winter: Effets de Neige, Sept. 19, 1998–Jan. 3, 1999, cat. 35 (ill.); Fine Arts Museums of San Francisco at the Center for the Arts at Yerba Buena Gardens, Jan. 30–May 2, 1999; New York, Brooklyn Museum of Art, May 28–Aug. 29, 1999.
• Baltimore Museum of Art, Pissarro: Creating the Impressionist Landscape, Feb. 11–May 13, 2007, cat. 17 (ill.); Milwaukee Art Museum, June 10–Sept. 9, 2007; Memphis Brooks Museum of Art, Oct. 7, 2007–Jan. 6, 2008.

• Christopher Lloyd, Camille Pissarro (Skira/Rizzoli, 1981), pp. 42 (ill.), 145.
• Charles S. Moffett, Eliza E. Rathbone, Katherine Rothkopf, and Joel Isaacson, Impressionists in Winter: Effets de Neige, exh. cat. (Phillips Collection/Philip Wilson, 1998), pp. 142–43, cat. 35 (ill.); 213.
• Marie-José Pellé, “Vert Pissarro . . .”: Impressions de Normandie et d’ailleurs (Bertout, 2000), p. 49.
• Belinda Thomson, “Gli impressioniste e la neve,” in Gli impressionisti e la neve: La Francia e l’Europa, ed. Marco Goldin, exh. cat. (Linea d’ombra, 2004), p. 268 (ill.).
• Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 76, 421.
• Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 2, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 130–31, cat. 143 (ill.).
• Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat. (Baltimore Museum of Art/Philip Wilson, 2006), pp. 108–09, cat. 17 (ill.).
• “Cat. 3: Snow at Louveciennes, c. 1870,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), <a href="https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8">https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8</a>.

Woman Bathing Her Feet in a Brook

Art Institute of Chicago

The Place du Havre, Paris

Art Institute of Chicago

The Crystal Palace

Art Institute of Chicago

Woman and Child at the Well

Art Institute of Chicago

Young Peasant Having Her Coffee

Art Institute of Chicago

Rabbit Warren at Pontoise, Snow

Art Institute of Chicago

The Banks of the Marne in Winter

Art Institute of Chicago

Haymaking at Éragny

Art Institute of Chicago

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