Woman and Child at the Well

1. The artist (d. 1903); sold to Durand-Ruel, Paris, August 5, 1882 [this and the five following per Pissarro and Snollaerts 2005]. Durand-Ruel, New York, by August 5, 1882; sold to William Loring Andrews, New York, February 27, 1888; sold back to Durand-Ruel, New York, May 21, 1891; sold to Cyrus J. Lawrence, New York, December 19, 1891; sold back to Durand-Ruel, New York, January 2, 1892; sold to Potter Palmer (d. 1902), Chicago, March 2, 1892, for $750 [per Durand-Ruel Archives, New York stock book 1888-1892, no. 860, as Femme au puits, as confirmed by Caroline Durand-Ruel Godfroy, Durand-Ruel Archives, to the Art Institute of Chicago, Dec. 13, 1994, curatorial object file]; by descent to the Potter family, Chicago; given to the Art Institute of Chicago, 1922.

Recorded by Art Institute of Chicago.

• Tours, Société des Amis des Arts de la Touraine, [paintings lent by Durand-Ruel], [Sept.–Oct.], 1882, no cat. found.
• Paris, 9, boulevard de la Madeleine, Oeuvres de C. Pissarro, May 1–25, 1883, cat. 10, as Le Puits.
• Possibly New York, American Art Galleries, Works in Oil and Pastel by the Impressionists of Paris, Apr. 10–28, 1886, cat. 145; New York, National Academy of Design, May 25–June 30, 1886, as Woman and Child.
• New York, National Academy of Design, Celebrated Paintings by Great French Masters, May 25–June 30, 1887, cat. 171, as Women at a Well.
• Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 261.
• New York, Wildenstein, Camille Pissarro, His Place in Art, Oct. 24–Nov. 24, 1945, cat. 20 (ill.).
• Arts Club of Chicago, Paintings by Camille Pissarro, Jan. 8–30, 1946, cat. 7.
• University of Chicago, Lexington Hall, Mar. 4–15, 1957, no cat.
• Tulsa, Philbrook Art Center, French and American Impressionism, Oct. 2–Nov. 26, 1967, cat. 11.
• Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 24 (ill.).
• Tokyo, Isetan Museum of Art, Retrospective Camille Pissarro, Mar. 9¬–Apr. 9, 1984, cat. 36 (ill.); Fukuoka Art Museum, Apr. 25–May 20, 1984; Kyoto Municipal Museum of Art, May 26–July 1, 1984.
• Leningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzskoĭ zhivopici XIX-nachala XX veka, iz Muieia Metropoliten v Niu-Ĭorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Great Paintings From the XIX century to the Beginning of the XXth century From Metropolitan Museum of Art in New York and the Art Institute of Chicago], March 15-May 19, 1988, cat. 26; Moscow, Pushkin Museum, June 10-July 30, 1988.

• Paul Labarrière, “Exposition Pissarro, 9 boulevard de la Madeleine,” Journal des artistes, June 1, 1883, p. 3.
• Henry Morel, “Camille Pissarro,” Le réveil, June 24, 1883, p. 1.
• Possibly American Art Association, Works in Oil and Pastel by the Impressionists of Paris, exh. cat. (J. J. Little/American Art Galleries, 1886), p. 26, cat. 145.
• Possibly American Art Association, Works in Oil and Pastel by the Impressionists of Paris, exh. cat. (National Academy of Design, 1886), p. 42, cat. 145.
• American Association for the Promotion and Encouragement of Art, Celebrated Paintings by Great French Masters, exh. cat. (National Academy of Design, 1887), p. 42, cat. 171.
• Art Institute of Chicago, “Accessions and Loans,” Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 47.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, pt. 2, Paintings (Art Institute of Chicago, 1922), p. 69, cat. 840.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 148, cat. 840.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), p. 167, cat. 22.436.
• Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für Freunde und Sammler der Kunst 11, 3 (Mar. 1933), pp. 78, 79 (ill.). Translated by C. C. H. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. 1933), p. 18.
• Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 43, cat. 261.
• Art Institute of Chicago, A Brief Illustrated Guide to the Collections (Art Institute of Chicago, 1935), p. 29.

Woman Bathing Her Feet in a Brook

Art Institute of Chicago

The Place du Havre, Paris

Art Institute of Chicago

The Crystal Palace

Art Institute of Chicago

Young Peasant Having Her Coffee

Art Institute of Chicago

Rabbit Warren at Pontoise, Snow

Art Institute of Chicago

The Banks of the Marne in Winter

Art Institute of Chicago

Haymaking at Éragny

Art Institute of Chicago

Snow at Louveciennes

Art Institute of Chicago

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