Art Institute of ChicagoPublic domain

Pape moe

Paul Gauguin · 1893/94

Provenance

Ownership history

Emily Crane Chadbourne (1871–1964), London, by 1910 [Robins, “‘Manet and the Post-Impressionists’: A Checklist of Exhibits,” Burlington Magazine 152, no. 1293 (Dec. 2010), p. 788]; given to the Art Institute of Chicago, 1922.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

London, Grafton Galleries, Manet and the Post-Impressionists, Nov. 8, 1910–Jan. 15, 1911, no cat. no.
New York, 69th Regiment Armory, International Exhibition of Modern Art, Feb. 17–Mar. 15, 1913, cat. 180, as À La Source.
Art Institute of Chicago, International Exhibition of Modern Art, Mar. 24–Apr. 16, 1913, cat. 143, as At the spring.
Copley Society of Boston, International Exhibition of Modern Art, Apr. 28–May 19, 1913, cat. 60, as At the spring.
Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1933, cat. 874, as Tahitian Drinking from a Waterfall.
Oakland, Calif., Mills College Art Gallery, European Master Drawings of the Nineteenth and Twentieth Centuries, Feb. 19–Mar. 29, 1939, cat. 42, as Tahitian drinking from waterfall; Seattle Art Museum, Apr. 5–May 7, 1939.
Decatur (Ill.) Art Center, Masterpieces of European and American Art, Mar. 4–25, 1945, cat. 6, as Tahitian Drinking from a Waterfall; Springfield Art Association, Apr. 4–30, 1945.
Boston, Institute of Modern Art, 100 Modern Pictures, May 23–July 14, 1945, cat. 21, as Tahitian Drinking from Waterfall.
New York, Wildenstein & Co., A Loan Exhibition of Paul Gauguin, for the Benefit of the New York Infirmary, Apr. 3–May 4, 1946, cat. 45, as Tahitian Drinking from a Waterfall.
San Francisco, California Palace of the Legion of Honor, 19th Century French Drawings, Mar. 9–Apr. 16, 1947, cat. 138, as Tahitian Drinking from a Waterfall.
Art Center in La Jolla (Calif.), Post Impressionists, Aug. 7–Sept. 25, 1955, cat. 46, as Tahitian Drinking from a Waterfall.
Art Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, Feb. 12–Mar. 29, 1959, cat. 109, as Mysterious Water (Pape Moe); New York, Metropolitan Museum of Art, Apr. 21–May 31, 1959.

Literature

Published references

Grafton Galleries exh: Grafton Galleries, Manet and the Post-Impressionists, exh. cat. (Ballantyne, 1910), no cat. no.3
Association of American Painters and Sculptors, Catalogue of International Exhibition of Modern Art, exh. cat. (n.p., 1913), p. 26, cat. 180.
Association of American Painters and Sculptors, Catalogue of International Exhibition of Modern Art, exh. cat. (n.p., 1913), n.pag, cat. 143.
Association of American Painters and Sculptors, Catalogue of International Exhibition of Modern Art, exh. cat. (Copley Society of Boston, 1913), n.pag., cat. 60.
“Accessions and Loans,” Bulletin of the Art Institute of Chicago 17, no. 1 (Jan. 1923), p. 11.
Rose Mary Fischkin, “Notes on Some Modern Drawings,” Bulletin of the Art Institute of Chicago 21, no. 3 (Mar. 1927), p. 36.
Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 91, cat. 874.
Oakland, Calif., Mills College Art Gallery, and the Seattle Art Museum, European Master Drawings of the Nineteenth and Twentieth Centuries, exh. cat. (n.p., 1939), n.pag., cat. 42.
Decatur (Ill.) Art Center, Masterpieces of European and American Art, exh. cat. (Decatur Art Center, 1945), p. 6, cat. 6.
Boston, Institute of Modern Art, 100 Modern Pictures, exh. cat. (Institute of Modern Art, 1945), n.pag., cat. 21.
Wildenstein & Co., A Loan Exhibition of Paul Gauguin, for the Benefit of the New York Infirmary, with an essay by Raymond Cogniat, exh. cat. (Wildenstein & Co., 1946), p. 68, cat. 45.
John Rewald, 19th Century French Drawings, exh. cat. (California Palace of the Legion of Honor, 1947), p. 85, cat. 138.

Comparables