Auvers, Panoramic View

1. Dr. Paul Gachet, Auvers-sur-Oise (1828–1909), c. 1873/74 [this and the following information according to New York 1999]; by descent to his son, Paul Gachet (1873–1962); sold by him before 1912. Ambroise Vollard (1866–1939), Paris [the painting is included in Vollard photographic archives as no. 209; Vollard lent the painting to Paris 1912; see also Rewald 1996;]. Alfred Strolin, Paris and Lausanne, Switzerland, 1912; his sale, Paris, Hôtel Drouot, July 7, 1921, lot 7 (ill.), as Auvers-sur-Oise Vue panoramique du village, sold for 65,500 francs [according to Annuaire des Ventes, vol. 3, Paris, 1920/21 and Bulletin de l’Art Ancien et Moderne, vol. 23, no. 672, Aug. 10, 1921]. Hector Brame, Paris [according to Rewald 1996]. Galerie Durand-Ruel, Paris and New York [stock no. 4703 and no. 11906, based on labels on reverse and Registrar archival card, copy in curatorial file]. Annie S. Coburn (Mrs. Lewis L. Coburn; 1856–1932), Chicago by 1932; bequeathed to the Art Institute of Chicago, 1932.

Recorded by Art Institute of Chicago.

• Paris, Manzi, Joyant & Cie, Exposition d’art moderne, June 6–July 6, 1912, cat. 15, as Auvers–sur–Oise (Vue panormaique).
• Art Institute of Chicago, Exhibition of the Mrs. L. L. Coburn Collection: Modern Paintings and Watercolors, Apr. 6 – Oct. 9, 1932, cat. 1 (ill.), as Auvers–sur–Oise, Village Panorama, 1873.
• Art Institute of Chicago, A Century of Progress: Exhibition of Painting and Sculpture, June 1–Nov. 1, 1933, cat. 304, as Auvers–sur–Oise, Village Panorama, 1873.
• Philadelphia, Pennsylvania Museum of Art, Exhibition of the Works of Cézanne, Nov. 10 – Dec. 10, 1932, cat. 4, as Auvers–sur–Oise, Village Panorama, 1873.
• Art Institute of Chicago, Cézanne, Paintings, Watercolors and Drawings: A Loan Exhibition, Feb.7– Mar. 16, 1952; New York, Metropolitan Museum of Art, April 4– May 18, 1952, cat. 15 (ill.), as Auvers: Village Panorama, 1873––75.
• Paris, Musée de l’Orangerie, Van Gogh et Les Peinters d’Auvers sur Oise, Nov. 26, 1954 – Feb. 28, 1955, cat. 12 (ill.), as Vue d’Auvers, 1873–74.
• Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 69; Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris, Galeries Nationales du Grand Palais as L’Impressionnisme et le paysage français, Feb. 8–Apr. 22, 1985, cat. 35, as Auvers, vue panoramique. –.
• Tokyo, The Seibu Museum of Art, The Impressionist Tradition: Masterpieces From The Art Institute of Chicago, Oct. 18–Dec. 17, 1985, cat. 26 (ill.), as Auvers: Panoramic View, 1873–75; Japan, Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Japan, Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986–.
• Paris, Galeries Nationales du Grand Palais, Cézanne, Sept. 25, 1995––Jan. 7, 1996, cat. 31; London, Tate Gallery, Feb. 8––Apr. 28, 1996; Philadelphia Museum of Art, May 26––Aug. 18, 1996.
• Glasgow, Mclellan Galleries, The Birth of Impressionism: From Constable to Monet, May 23–Sept. 7, 1997, no cat. no., as Auvers: Village Panorama, c. 1873.
• Sydney Art Gallery of New South Whales, Classic Cezanne, Nov. 28, 1997–Feb. 28, 1999, cat. 3, as Panoramic view of Auvers (Vue panoramique d’Auvers–sur–Oise), c. 1873–74.
• Paris, Galeries Nationales du Grand Palais, Un ami de Cézanne et de Van Gogh: Le Docteur Gachet, Jan. 28–Apr. 26, 1999; New York, Metropolitan Museum of Art, as Cézanne to Van Gogh: The Collection of Dr. Gachet, May 25–Aug. 15, 1999, cat. P.G. II–4; Amsterdam, Van Gogh Museum, Sept. 24–Dec. 5, 1999, cat. P.G. II–4, as Panorama (Auvers), 1873 [New York and Amsterdam only].

• Journal des Arts 43 (July 9, 1921), p. 2.
• Daniel Catton Rich, “The Bequest of Mrs. L. L. Coburn,” Bulletin of The Art Institute of Chicago 26 (1932), p. 70, as Auvers-sur-Oise, 1873.
• Lionello Venturi, Cézanne: son art, son oeuvre vols. 2 (Paris, 1936), no. 150 (ill.), as Auvers, vue panoramique, 1873-75.
• R. Goldwater in Art News Annual (March 26, 1938), p. 146 (ill.).
• Albert Barnes and Violette de Manzia, The Art of Paul Cézanne (New York, 1939), no. 47, as Auvers-sur-Oise: Village Panorama, 1873-75.
• Coronet (May 1939), p. 12 (ill.).
• John Rewald, “Cézanne’s Theories About Art,” Art News 47, 7 (November, 1948), fig. 53.
• Charles Fabens Kelly, “Chicago: Record Years,” Art News 51, 4 (June-July-August 1952), p. 54, as Auvers-sur-Oise.
• Mayer Schapiro, Paul Cézanne (New York, 1952), pp. 44-45 (ill.), as View of Auvers, c. 1874.
• M. Raynal, Geneva, 1954, p. 40 (ill.).
• David Cooper, “The Painters of Auvers-sur-Oise,” Burlington Magazine 97 (April 1955), p. 103, fig. 8 (ill.).
• The Art Institute of Chicago, A Brief Guide to the Collections (The Art Institute of Chicago, 1956), p. 36, as Auvers, Village Panorama.

The Basket of Apples

Art Institute of Chicago

The Bay of Marseille, Seen from L'Estaque

Art Institute of Chicago

Madame Cezanne in a Yellow Chair

Art Institute of Chicago

The Vase of Tulips

Art Institute of Chicago

The Bathers

Art Institute of Chicago

The Plate of Apples

Art Institute of Chicago

The Three Skulls

Art Institute of Chicago

Bathers

Art Institute of Chicago

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