The Bay of Marseille, Seen from L'Estaque

1. The artist; sold to Ambroise Vollard (1866–1939), Paris, c. 1899 [according to New York 2006–7]; sold to Cornelis Hoogendijk (died 1911), Amsterdam, possibly in May 1899 [according to New York 2006–7, see also Musée d’Orsay, Fonds Vollard, MS 421 (4,3) fol 31, May 17, 1899, copy in curatorial file]; by descent to his heirs, on deposit at the Rijksmuseum, Amsterdam [see Henkels 1993]; sold in shares to Paul Rosenberg, Jos Hessel, and Galerie Durand-Ruel, Paris, 1920 [according to New York 2006–7]; sold through Jos Hessel to Martin A. Ryerson (1856–1932), Chicago, June 12, 1920 [see purchase receipt, copy in curatorial file]; bequeathed to the Art Institute of Chicago, 1933.

Recorded by Art Institute of Chicago.

• Amsterdam, Stedelijk Museum, Moderne Kunst Kring, Oct. 6–Nov. 5, 1911, no cat. no.
• New York, Museum of Modern Art, First Loan Exhibition, Cézanne, Gauguin, Seurat, Van Gogh, Nov. 1929, cat. 18 (ill.), as Landscape at Estaque.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1933, cat. 309 (ill.), as L’Estaque, c. 1886–8.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1934, cat. 293, as L’Estaque, c. 1886–8.
• Philadelphia, Pennsylvania Museum of Art, Cézanne, Nov. 10–Dec. 10, 1934, cat. 26, as L’Estaque.
• Art Institute of Chicago, Masterpiece of the Month, June 1942, no cat.
• Art Institute of Chicago, Cézanne: Paintings, Watercolors, and Drawings; A Loan Exhibition, Feb. 7–Mar. 16, 1952, cat. 50 (ill.), as L’Estaque, 1886–90; New York, Metropolitan Museum of Art, Apr. 4–May 18, 1952.
• Seattle World’s Fair, Masterpieces of Art, Apr. 21–Sept. 4, 1962, cat. 50 (ill.), as The Gulf of Marseilles, Seen from L’Estaque, 1886–90.
• Washington, DC, The Phillips Collection, Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection, Feb. 27–Mar. 28, 1971, cat. 21 (ill.), as The Gulf of Marseilles, Seen from L’Estaque, c. 1891; Art Institute of Chicago, Apr. 17––May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
• Art Institute of Chicago, The Artist Looks at the Landscape, June 22–Aug. 25, 1974, no cat.
• Albi, France, Musée Toulouse–Lautrec, Trésors impressionnistes du Musée de Chicago, June 27––Aug. 31, 1980, cat. 35 (ill.), as Le Golfe de Marseilles vu de L’Estaque, 1886–90.
• Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 129 (ill.), as 1886–90 ; Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris, Galeries nationales du Grand Palais, as L’Impressionnisme et le paysage français, Feb. 4–Apr. 22, 1985.

• F. Jourdain, Cézanne (Paris, 1914), pl. 42.
• J. Gasquet, “Ce qu’il m’a dit…le motif,” L’Amour de l’Art 1, 8 (December 1920), p. 263 (ill.).
• A. Fontainas and L. Vauxcelles, Histoire générale de l’art français (Paris, 1922), p. 235.
• Daniel Catton Rich, “Poussin and Cézanne,” Bulletin of The Art Institute of Chicago 24 (December 1930), pp. 114-117 (ill.).
• Clarence Bulliet, Art Masterpieces vol. 1 (Chicago, 1933), p. 91.
• Clarence Bulliet, Significant Moderns and Their Pictures (New York, 1936), pl. 14.
• John Rewald in Amour de l’Art (May 1936), fig. 105.
• Lionello Venturi, Cézanne: son art – son oeuvre (Paris, 1936), vol. 1, no. 493, vol. 2, pl. 115.
• Bernard Dorival, Cézanne (New York, 1948), pl. 77.
• Josephine Hancock Logan, Sanity in Art (Chciago, 1937), p. 106 (ill.).
• Bernard Dorival, Cézanne (New York, 1948), p. 76 (ill.).
• H. F. MacKenzie, Masterpieces of Painting, XIX Century, in the Collections of The Art Institute of Chicago (Chicago, 1946), pp. 26-27 (ill.).

The Basket of Apples

Art Institute of Chicago

Auvers, Panoramic View

Art Institute of Chicago

Madame Cezanne in a Yellow Chair

Art Institute of Chicago

The Vase of Tulips

Art Institute of Chicago

The Bathers

Art Institute of Chicago

The Plate of Apples

Art Institute of Chicago

The Three Skulls

Art Institute of Chicago

Bathers

Art Institute of Chicago

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