
Art Institute of ChicagoPublic domain
The Three Skulls
Paul Cezanne · 1902/06
Provenance
Ownership history
- Ambroise Vollard (1867-1939), Paris [Venturi 1936; a letter from Walter Feilchenfeldt of April 19, 2002, in the curatorial file]; sold to Jacques Seligmann, Paris and New York, by 1933 [New York 1933 and Feilchenfeldt letter mentioned above]. Justin K. Thannhauser (1892-1976), Lucerne, by 1936 [Venturi 1936 and Feilchenfeldt letter]. Ambroise Vollard, to 1939 [Feilchenfeldt letter]; Vollard’s estate; Martin Fabiani, Paris [Feilchenfeldt letter]; sold to Marianne Feilchenfeldt, Zürich, 1954 [Feilchenfeldt letter]; sold to the Art Institute, 1954.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Buffalo, N.Y., Albright Gallery, "The Nineteenth Century," November 1-30, 1932, cat. 69 (ill.).
- New York, Jacques Seligmann Gallery, "Watercolors by Cézanne," November 16-December 7, 1933, cat. 3.
- Paris, Musée de l’Orangerie, "De David à Toulouse Lautrec," 1955, cat. 57, pl. 71.
- Milwaukee Art Institute, "Still Life Painting Since 1470," September 1956, cat. 10 (ill.); traveled to the Cincinnati Art Museum, October, 1956.
- Santa Barbara Museum of Art, "Painted Papers: Watercolors from Dürer to the Present," March 15-April 15, 1962, n.p., cat. 31 (ill.).
- New York, Knoedler and Company, "Cézanne Watercolors," April 2-20, 1963, pp. 52-53, cat. 55, pl. LIII.
- St Louis, Mo., Washington University Gallery of Art, "Nineteenth and Twentieth Century Artists and Draughtsmen," March 13–April 8, 1966, no cat.
- Washington, D.C., The Phillips Collection, "Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection," 1971, pp. 90-91, cat. 57 (ill.); traveled to The Art Institute of Chicago and The Museum of Fine Arts, Boston.
- Paris, Musée du Louvre, "Dessins français de l’Art Institute de Chicago de Watteau à Picasso," October 15, 1976-January 17, 1977, n.p., cat. 63 (ill.).
- Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, "Französische Zeichnungen aus dem Art Institute of Chicago," February 10-April 10, 1977, pp. 48-149, cat. 71 (ill.).
- New York, Museum of Modern Art, "Cézanne: The Late Work," October 1977-January 1978, pp. 345 and 408, cat. 74, pl. 156, cat. by William Rubin, et. al.; traveled to Houston, Tex., The Museum of Fine Arts, January-March 1978.
- Paris, The Grand Palais, "Cézanne: Les Derniès Années (1895-1906)," April 20-July 23, 1978, p. 113, cat. 26.
Literature
Published references
- Roger Fry, Cézanne, A Study of His Development, (1927).
- Eugenio d’Ors, Paul Cézanne (Paris, 1930), p. 81, pl. XXIII.
- Maurice Raynal, Cézanne (Paris, 1936), no. 140, pl. CIV.
- Lionello Venturi, Cézanne: son art—son oeuvre, 2 vols. (Paris, 1936), 1:282, no. 1131, II:pl. 325.
- Daniel Catton Rich, "A Masterpiece in Watercolor by Cézanne." The Art Institute of Chicago Quarterly, XLIII:3 (September 15, 1954), pp. 46-47 (ill).
- Alfred Neumeyer, Cézanne Drawings (New York, 1958), p. 54, pl. 63.
- Richard W. Murphy, The World of Cézanne (New York, 1968), pp. 105 and 107, fig. 127.
- Jiri Siblik, Cézanne (Prague, 1969), pl. 54.
- Gottfried Lindemann, "Prints and Drawings: A Pictorial History", (Praeger Publishers, Inc. 1970), pp. 340 (ill.), 343.
- Richard Shone, The Post-Impressionists (London, 1979), p. 107 (ill.).
- Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the 19th Century, II (Chicago, 1979), pp. 14-15, no. 1C8.
- Diane Kelder, Great Book of French Impressionism (New York, 1980), pp. 389 (ill.) and 434.
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