The Bathers

1. Ambroise Vollard (1866–1939), Paris. Jacques Zoubaloff (1876–1941), Paris, between 1918–1922; his sale, Galerie Georges Petit, Paris, June16–17, 1927, lot 113 (ill.). Jos. Hessel, Paris [according to Rewald 1996]. Paul Rosenberg and Co., Paris and New York, 1928 [New York 1928]. Chester H. Johnson Gallery, Chicago [Chicago 1933]. Mrs. Robert R. McCormick (Amy Irwin McCormick; 1872–1939), Chicago, by 1929 [see Chicago 1929 exhibition materials, Archives of American Art, copy in curatorial file]; By descent to her husband, Colonel Robert R. McCormick (1880–1955), Chicago; given to the Art Institute of Chicago, 1942.

Recorded by Art Institute of Chicago.

• New York, Paul Rosenberg & Co. at Wildenstein Galleries, Loan Exhibition of Paintings by Paul Cezanne, 1839–1906, Jan. 1928, cat. 8, as Les Baigneurs.
• Renaissance Society of the University of Chicago, Exhibition of Modern French Paintings, Jan. 22–Feb. 2, 1929, no cat.
• New York, Museum of Modern Art, Summer Exhibition: Retrospective, June–Sept. 1930, cat. 15, as Bathers.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1933, cat. 306, as c. 1890.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1934, cat. 291, as c. 1890.
• Art Institute of Chicago, Paintings from the Collection of Mrs. Robert R. McCormick, Apr. 17–June 2, 1940, no cat.
• Art Institute of Chicago, Masterpiece of the Month, December 1943, no cat.
• Cincinnati Art Museum, Paintings by Paul Cézanne, Feb. 5–Mar. 9, 1947, cat. 12 (ill.), as Bathers (Baigneuses), 1900–05.
• Oberlin, OH, Allen Memorial Art Museum, Oberlin College, Exhibition, May 10–30, 1950, no cat.
• Art Institute of Chicago, Cézanne: Paintings, Watercolors and Drawings; A Loan Exhibition, Feb. 7–Mar. 16, 1952, cat. 98 (ill.), as Bathers, 1900–05; New York, Metropolitan Museum of Art, Cézanne: Paintings, Watercolors and Drawings; A Loan Exhibition, Apr.–May 18, 1952.
• Edinburgh, Royal Scottish Academy, An Exhibition of Paintings by Cézanne, Aug. 20–Sept. 18, 1954, cat. 60 (ill.), as Baigneuses, c. 1900; London, Tate Gallery, Sept. 29–Oct. 27, 1954.
• Cleveland Museum of Art, Venetian Tradition, Nov. 1956–Jan. 1957, no cat.

• Lionello Venturi, Cézanne, son art, son oeuvre (Paris, 1936), vol. 1, p. 192, no. 722, vol. 2, pl. 238.
• Clarence Bulliet, Apples and Madonnas (New York, 1930), p. 49.
• The Studio 106 (October 1933), p. 200.
• D. Odenheimer, “Mrs. Robert R. McCormick, Painter and Collector,” The Art Institute Bulletin 34 (April-May, 1940), p. 60 (ill.).
• “McCormick Art Given to Chicago,” Art Digest (December 15, 1942), p. 19.
• Edgar Allan Jewell, Paul Cézanne (New York ,1944) , p. 34 (ill.).
• Liliane Brion-Guerry, Cézanne et l’expression de l’espace (Paris, 1950), fig. 28.
• James Speyer, “Twentieth-Century European Painting and Sculpture,” Apollo 84 (September 1966), p. 222.
• The Art Institute of Chicago Quarterly no. 1 (February 1952), pp. 2-8.
• Gertrude Berthold, Cezanne und die alten Meister (Stuttgart, 1958), p. 43, fig. 58.
• The Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 73, 326 (ill.).
• Fritz Novotny, Paul Cezanne, 1839-1906 (London, 1961), p. 41.

The Basket of Apples

Art Institute of Chicago

The Bay of Marseille, Seen from L'Estaque

Art Institute of Chicago

Auvers, Panoramic View

Art Institute of Chicago

Madame Cezanne in a Yellow Chair

Art Institute of Chicago

The Vase of Tulips

Art Institute of Chicago

The Plate of Apples

Art Institute of Chicago

The Three Skulls

Art Institute of Chicago

Bathers

Art Institute of Chicago

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