The Plate of Apples

1. Eugène Murer, Auvers–sur–Oise and Paris, before Oct. 1887 [see Trublot 1887 and Rewald 1996]. Galerie Heinrich Thannhauser, Munich, by 1916 [Berlin 1916]. F. Schoen, Berlin [accordind to correspondence from P. Rosenberg and Co. to W. Brewster, Feb. 25, 1930, copy in curatorial file]. Paul Cassirer, Berlin, Sept. 29, 1925 [this and the following according to Rewald 1996; Paul Cassirer archive, PC18965]. J. K. Thannhauser, Lucerne, Switzerland, Feb. 2, 1926. Paul Rosenberg and Co., New York and Paris, by 1930 [this and the following according to Rosenberg to Brewster, Feb. 25, 1930]; sold to Walter S. Brewster, Chicago, (1872–1954), Feb. 15, 1930; Kate L. Brewster (Mrs. Walter S. Brewster; 1879–1947), Chicago; bequeathed to the Art Institute of Chicago, 1949.

Recorded by Art Institute of Chicago.

• Berlin, Galerie Thannhauser, Erste Sonderausstellung in Berlin, Jan. 9–mid-Feb., 1927, cat. 14 (ill.) as Stilleben.
• Chicago, Brewster residence, The Collection of Mr. and Mrs. Walter S. Brewster, Jan. 20–22, 1933, cat. 6, as Assiette des Fruits, about 1883.
• New York, Museum of Modern Art, Fruit and the Flower Paintings, May 13–31, 1933, no cat.
• New York, Marie Harriman Gallery, Chardin and the Modern Still Life, Nov. 1936, cat. 12.
• Cedar Rapids, IA, Coe College, Centennial Exhibition, May 15–June 9, 1952, cat. 14.
• New York, Fine Arts Associates, Cézanne: Rarely Shown Works, Nov. 10–29, 1952, cat. 4 (ill.), as Le Plat de Pommes.
• Aix-en-Provence, France, Musée Granet, Cézanne: Peintures, Aquarelles, Dessins, July 5–Aug. 5, 1953, cat. 21, as Le Plat de Pommes, c. 1887; Nice, France, Musée Massena, Aug. 8–Sept. 10, 1953 ; Grenoble, Musée des Beaux-Arts, Sept. 15–Oct. 6, 1953.
• Worcester, MA, Worcester Museum of Art, The Dial and the Dial Collection, Apr. 30–Sept. 8, 1959, cat. 10.
• Memphis, TN, Dixon Gallery and Gardens, Impressionists in 1877: A Loan Exhibition, Dec. 4, 1977–Jan. 8, 1978, cat. 8 (ill.).
• Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 33 (ill.), as 1877.
• Sydney, Art Gallery of New South Wales, Classic Cézanne, Nov. 28, 1998–Feb. 28, 1999, cat. 9 (ill.).
• New York, Museum of Modern Art, Pioneering Modern Painting: Cezanne and Pissarro 1865–1885, June 26–Sept. 12, 2005, cat. 25 (ill.), as c. 1874; Los Angeles County Museum of Art, Oct. 20, 2005–Jan. 16, 2006; Paris, Musée d'Orsay, as Cézanne et Pissarro, 1865–1885, Feb. 27–May 28, 2006.

• Trublot [Paul Alexis], “La Collection Murer,” Le Cri du people (October 21, 1887), no. 7.
• Katalog der Modernen Galerie Heinrich Thannhauser (Munich 1916), p. 30 (ill.).
• The Dial 81 (1926), p. 359.
• Kurt Pfister, Cézanne: Gestalt, Werk, Mythos (Potsdam, 1927), pl. 76.
• Eugenio d’Ors, Paul Cézanne (Paris, 1930), pl. 23.
• Lionello Venturi, Cézanne, son art, son oeuvre (Paris, 1936), no. 210.
• Robert J. Goldwater, “Cézanne in America: The Master’s Paintings in American Collections ,” Art News Annual 36, no. 26 (Mar. 26, 1938): 158 (ill.).
• Daniel Catton Rich, “The Kate L. Brewster Bequest,” Bulletin of the Art Institute of Chicago 44, 3 (1950), p. 51
• The Art Institute of Chicago, A Brief Guide to the Collections (Chicago, 1956), p. 36.
• Kurt Badt, Die Kunst Cézannes (Munich 1956), p. 123.
• P. Gachet, Deux Amis des impressionistes–Le Dr. Gachet et Murer (Paris, 1956), p. 171.
• L. Gowing in Burlington Magazine (June 1956), p. 188.

The Basket of Apples

Art Institute of Chicago

The Bay of Marseille, Seen from L'Estaque

Art Institute of Chicago

Auvers, Panoramic View

Art Institute of Chicago

Madame Cezanne in a Yellow Chair

Art Institute of Chicago

The Vase of Tulips

Art Institute of Chicago

The Bathers

Art Institute of Chicago

The Three Skulls

Art Institute of Chicago

Bathers

Art Institute of Chicago

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